Neglecting the rhetorical functions of art in favor of its epistemological ones, McKeon must finally say that Marriage A-la-Mode tells the whole truth about class struggle in seventeenth-century England, even if this truth is such that it exceeds Dryden's own intentions.
Perhaps the best rejoinder to such a reading was offered, albeit proleptically, by William Empson. The double plot "gives an impression of dealing with life completely," Empson wrote, "so that critics sometimes say that Henry IV deals with the whole of English life at some date, either Shakespeare's or Henry's; this is palpable nonsense, but what the device wants to make you feel.
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Following Empson rather than McKeon, one might suppose that the appearance of dialectical wholeness is itself a strategic fiction, a rhetorical effect. This effect depends, paradoxically, on the narrowing of social range that characterizes Dryden's tragicomedies.
Radical Royalism: Strategy and Ambivalence in Dryden's Tragicomedies
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Royalists, Radicals, and Les Miserables : France in - resdipolbaunei.ml
The data indicate that the Canadian institutions are more dependent on government support than their U. In the second part of the paper, the focus is in more detail on the number of contributions received by the participating institutions, and the authors conclude that business sponsorship represents a large percentage of total private sector support in Canada than in the U.
In the final section, the authors report the perceptions of Canadian administrators regarding the climate for private sector arts support in Canada. To address the different levels of government arts supporting Canada and the U.
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